Brandt isn't the stereotypical movie Nazi. No, The Exception is merely a serviceable drama taking us on a competent if predictable journey. She seemed to know exactly what she was doing, but later on that confidence seemed to fade away as she just was indecisive about her mission and everything Meike does afterward is just a plot device to develop Captain Brandt's character. Brandt, for his part, is bemused by the kaiser but more deeply interested in the fetching Mieke de Jong (James), a servant girl who is the newest member of Wilhelm’s household. When Brandt is informed by Dietrich that “the head of the S.S.” is coming to dinner at Wilhelm’s, for example, the surprised captain blurts out, “Himmler?” to which Dietrich replies, “You catch on quick.” Indeed. Where do I stream The Exception online? I was glad to bask in the light of another great Plummer performance, but the film’s tabloid-fodder of a nude James and Courtney will probably be its legacy. When a Wehrmachtofficer (Courtney) is ordered to determine whether or not a British spy has infiltrated the Kaiser's residence with a view to assassinating the deposed monarch, h… The performances are good across the board and do enough to earn our investment, but only James’ Mieke is left unblemished. Manhola’s Dargis’ Picks. The little suspense that the picture generates from the political perspective derives from whether Mieke’s assignment is to assassinate Wilhelm—after all, she does keep a gun hidden in her room—despite the affection she obviously develops for the old duffer, whose main occupations—apart from looking over maps and making cracks about Hitler’s clumsy strategy—appear to be chopping wood with his one good arm and feeding the ducks in his estate’s little lake. Best of 2020 › The Best Movies of the Year. It’s neither boring nor manipulative, so hating it is impossible. The movie was produced in Belgium, but the dialog is in English. Eventful Movies is your source for up-to-date The Exception information, showtimes, trailers, photos, and cast information. What was that movie where all the old actors from old action movies get together in a single film and blow up lots of stuff? He's wounded, for one thing, in body but more so in spirit. Get it?) This insane situation of kings, spies, and murderers engaged in duplicitous actions during World War II is window dressing for small-scale romance. You could say there’s “surprise” when she reveals she’s Jewish, but that’s far enough along in their tryst to know he’s hardly an Anti-Semite (despite the uniform). Similarly, Wilhelm and Hermine are always playing the angles. The script hopes we can come together with the notion that killing children is indefensible, but it doesn’t erase the memory of so many others being slaughtered. We don’t know because she’s the image he cannot ignore. Buy Movies. Burke’s script shows a propensity to sink to lower levels when it seems to assume audience ignorance in off-the-cuff ways. The same device is employed a second time between two other characters, adding to the conclusion that the filmmakers don’t consider potential viewers to be very bright. The film stars Jai Courtney, Lily James, Janet McTeer, and Christopher Plummer. The Exception movie reviews & Metacritic score: German soldier Stefan Brandt (Jai Courtney) goes on a mission to investigate exiled German Monarch Kaiser Wilhelm II (Christopher Plummer). Courtney provides Brandt with a human struggle between soul and country, but his choices always toe the line between both rather than standing strong for one. Well, I put “surprising” in quotes above because we can’t necessarily rely on it either. German soldier Stefan Brandt goes on a mission to investigate exiled German Monarch Kaiser Wilhelm II. But it’s all for show. In short, the ending of the movie is up to us—and we're right either way. The disillusioned Kaiser wanders off alone into the grounds surrounding his estate. But whatever the facts might be, Plummer seizes on the screenplay’s view of him as essentially a genial old coot and milks it for all it’s worth. They’re willing to play nice as long as they are rewarded and as such we cannot call them worthy of our empathy. You just need to temper your enthusiasm and accept it for what it is without the twists or turns descriptions feed us. Unhappily, most of “The Exception” focuses on an insipid romance between Captain Stefan Brandt (Jai Courtney), the newly-appointed head of Wilhelm’s German security detail, and Mieke de Jong (Lily James), a maid in the Kaiser’s household who, as it turns out, is not only Jewish but a British spy. We peg everyone’s motivations early on, but our not having any trouble guessing where their paths will take them doesn’t mean we can’t still be entertained. Since we can now scratch most hope for suspense from the list, what about romance? Christopher Plummer would read said book, let his manager know of his interest, and wait ten years before another’s option lapsed so it could fall into their hands. But if you got a bit lost in the final act of the film, we wouldn’t blame you. The film is not meant to be a documentary, so we can't take it at face value. By all accounts Kaiser Wilhelm II was hardly a great leader. We've set up this page as a place where you can discuss the Inception ending and other spoilers. Get Movies. B | The premise of the script adapted by Simon Burke from Alan Judd’s novel “The Kaiser’s Last Kiss” is that in 1940, just after the Blitzkrieg has succeeded in seizing control of Holland and Belgium, Hitler decides to open a channel of communication with Wilhelm, the deposed German emperor who has been living on an estate outside the town of Doorn in the Netherlands with his second wife Hermine (Janet McTeer), whom he had married in 1922. Dietrich, of course, is designed as a complete contrast to Brandt, the exception of the title—the “good German” who defies Nazi brutality. A+ Directed by Christopher Nolan, Interstellar is a fantastic tale of time, space, and love. (The exception. While they won’t utter the words “Heil, Hitler” when coaxed, it’s difficult to tell whether this refusal is an attack on Adolf’s evil methods or a protest against his place upon their throne. And in all honesty that will be a tough pill to swallow for some. If Merchant Ivory and Paul Verhoeven ever gave birth to a movie baby, it would probably come out looking something like “The Exception.” This tony drawing-room period piece, anchored by Christopher Plummer’s wily take on an aging German monarch who longs for the past and abhors the present, is served with a side of steamy interludes of sex-laced intrigue. Pair this with its inability to truly captivate beyond its surface and the whole finds itself on poor footing to succeed. The Exception is a 2016 romantic war film directed by David Leveaux (in his directorial debut) and written by Simon Burke, based on Alan Judd's 2003 novel The Kaiser's Last Kiss. Inception ending: Christopher Nolan finally discusses the meaning behind that spinning top 'Perhaps all levels of reality are valid' Christopher Hooton @christophhooton. Just because there are rules against copulation with mansion (and by extension “kingdom”) staff doesn’t mean it’s surprising when someone does so anyway. Thinking he was forgotten or perhaps left to his own devices without hope of an auspicious return, Wilhelm’s mindset changes once the Nazis invade Holland. C+. We peg everyone’s motivations early on, but our not having any trouble guessing where their paths will take them doesn’t mean we can’t still be entertained. James is no more impressive, especially since she begins their romance by simply complying when the German, at their very first meeting, tells her to take off her clothes. It’s just himself, his wife Hermine Reuss of Greiz (Janet McTeer), and the loyal Colonel Sigurd von Ilsemann (Ben Daniels)—who goes over daily briefings about Hitler’s rule. The Exception follows German soldier Stefan Brandt (Jai Courtney) as he goes on a mission to investigate exiled German Monarch Kaiser Wilhelm II (Christopher Plummer). It has received moderate reviews from critics and viewers, who have given it an IMDb score of 6.8 and a MetaScore of 60. The Exception review: David Leveaux makes his feature directorial debut with this romance/ drama set at the height of World War II. C- | You’ll still have to overcome the fact that finding the former Prussian monarch and a Nazi captain—who both don’t do anything to help stop the war—endearing and sympathetic is key to enjoying the whole, though. McTeer is superb as Wilhelm’s wife, quickly intervening to explain away her husband’s sometimes embarrassing slips while seeking to ensure that the financial support they’ve come to depend on isn’t reduced, and Marsan delivers a chillingly restrained portrait of pure evil in his few scenes as Himmler. But neither is very withholding of his true motivations. B+ Brandt catches up to Dietrich and advises him to keep him apprised of any information forced out of the tortured priest. The Exception is an Drama movie that was released in 2017 and has a run time of 1 hr 47 min. Daniels is fine as a man of absolute loyalty, too. Hubert Pouille’s production design and Daniela Ciancio’s costumes capture the period, and cinematographer Roman Osin uses the Flemish locations nicely. He put Germany onto its fateful course towards World War I and shortly after defeat was forced to abdicate the throne into exile at the secluded Netherlands mansion Huis Doorn. The new movie is one part history to one part fanciful melodrama. We’re to follow the complex Brandt as nightmares of Nazi slaughters haunt him despite being asked to facilitate more. While the love story is the film’s central component, it’s hardly shocking. I think McTeer is wonderful in the role, her strength of character mixed with a selfish drive for authority allows for some subtle laughs when caught “managing” situations. Unhappily, most of “The Exception” focuses on an insipid romance between Captain Stefan Brandt (Jai Courtney), the newly-appointed head of Wilhelm’s German security detail, and Mieke de Jong (Lily James), a maid in the Kaiser’s household who, as it turns out, is not only Jewish but a British spy. We want to be uncertain about Wilhelm keeping his life by the end but the film becomes more about whether Mieke and Brandt will keep their posts if discovered el flagrante. They have, however, done expert work from the technical perspective. We’re meant to believe that their relationship is a love for the ages, but it never seems authentic, just a movie convention. Capt. The Third Reich clashes with the Second in David Leveaux’s World War II-set drama, in which the single best moment is a dinner scene in which the exiled Kaiser Wilhelm II (Christopher Plummer) faces off against SS Heinrich Himmler (Eddie Marsan), where the ebullient gentility of the erstwhile emperor and the soft-spoken malignity of the Reichsfuehrer are skillfully, and understatedly, contrasted. Who is the spy? You can follow his cinematic viewing habits at Letterboxd. Alan Judd would eventually write an historical fiction novel entitled The Kaiser’s Last Kiss about the former crown holder and an incident involving the Nazis, Gestapo, and Hitler’s right-hand Heinrich Himmler—with the potential for redemption. Learn more. The script doesn’t ignore the exiled ruler’s darker traits—his clear anti-Semitism, for example—but it underplays them in portraying him not only as essentially a charmingly old world figure who deplores the Nazis’ crudeness, but as an avuncular fellow who understands—and assists—the young people’s romance when push comes to shove. If not for being engaged in war at his rule’s end, would Wilhelm have eventually “dealt” with the Jewish problem he’s quick to superficially agree with upon mention by Himmler (a laconically deliberate Eddie Marsan)? Plummer takes on the role of Wilhelm, now an aged master of the mansion living on the allowance of the Reich’s pity. It manages to engage the audience while delivering its chases, crashes and explosions, and leaves its viewers with a satisfying, yet ambiguous ending, designed to spark debate over what really happened. 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